panorama bar house killer big with cassy, boris, daniel wang,… mr. g aint no stranger to the electronic music scene, he has been constantly producing outstanding material since the mid 90s on labels like moods & grooves, defected, end recordings, his own phoenix g or most recently on radioslaves rekids label. his style ranges from hard hitting techno over acid trenched beats to deep and souldful house productions. for the berlin based special label careless he delivers two very special cuts. deep house tracks with an oldschool feeling and a superb club appeal - right in the vain of the new wave of housemusic. essential release.

jack your body to hi end production skillz including a smart sound design, innovative licks and rump shaking basslines. solid electro flavoured clubmusic at its best

billy dalessandro – working as a multimedia designer during the day, the american with italian roots creates his music in his legendary dojo studios in chicago while releasing it mostly on german labels – which is not as paradox as it seems…. his productions, thought-through, fluid, rolling monsters that surprise with darkness and groove, are released on labels such as resopal, force inc, forcetracks, konvex-konkav, disco inc., relax, kompute and soniculture, as well as his own imprint siteholder, and make the dj and producer a much sought-after artist whose records end up in crates of well-known artists as diverse as mathew dear and john digweed.

as label boss gilbert says about this new versatile outing: i:cube is a prolix producer : some weeks, the cube used to bring me 4 or 5 outlines tracks, always amazing ! i played them sometimes in my dj sets, or shared them with my producers friends. there was always a nerd to ask me what is it… few years later, i decided to compile these unfinished -or not wanted to be released by the artist- tracks in a new versatile collector serie : >les archives cubistes<. re-edited for some, released without modification for others, they show the evolution of this amazing producer, who explores since a decade different styles but always with his typical sound. for this first volume, two techno tracks. deep end, composed in 1999, could be a >news of the week< as it sounds so current… latecala (under maurizio influence) was composed in 2000, to test a new studio gear (a multi effect)… versatile, some years after, delivers you the result. a few 12inch will follow… in different styles. be aware! limited pressing and special artwork by the excellent designer >machine< !

shadow dancer is paul farrier from manchester. for his first release on bnr he produced 4 quality tracks that show that there is an uk answer to mr. oizo vs. sebastian. but it s more then that! all of the 4 tracks are rather smart & banging, a dancefloor friendly version of electronica then obvious hits. you can hear that his biggest influences are warp & autechre and he just started to teach kids a new way of dancing. you should go and party to one of his live sets hes doing together with his brother. this ep will definitely surprise! for fans of: mr. oizo, warp, sebastian, jackson, boys noize already supported by: 2manydjs, ed bangers, boys noize

if youre fed up of looking out your window onto grey dreary weather and desperately need some sunshine in your life then you are in luck. chris lakes new track >carry me away< does just that... described as being >reminiscent of a hot summers day dancing on the beach< this track is tipped for huge success. featuring the sultry voice of emma hewitt, an uplifting piece of blissed out electronica, you cannot help but fall in love with emmas beautiful vocals over a hooky piano riff that is chris trademark. complimenting the original, there is the sébastien léger remix which tears apart chris mix that gives you a deep, dark, electro-twisted journey, still keeping the vocal with a soaring orchestral break that makes the hairs on the back of your neck stand on end

sd records delivers three excellent new takes on the excellent, genre-defying and astounding >beyond the stars<. speedy j takes off with a deep, dark and minimal technotrack from the industrial realms of rotterdam. this will freak the crowds. syncom data go as deep as they can with the pulsating, low-end, trippy sd mix. playing live on the melodica, syncom data float somewhere between dub, techno, dubstep and electro, while chanting to the fall of babylon. legowelt proves his love for dirty, pumping chicago jack with this constantly rising techno mix that builds to a superb climax that will lift the roof and rock the floor

brill deep minimal detroit techno (dub) a la hardwax / basic channel... b2 track >minus< is actually a re-release from the 1998 >ll001< single, long out of print. since there was a steady (nearly monthly) request to make this track available again, it has been remastered and included to match the other tracks on this single. the aim of this release is to prove that a certain approach to composing and sequencing with particular sound can end in a timeless production. at the end of this process it should be standing against the times, playable in 1989, 1997, 2007 or still in 2020. individual production methods or media stay behind, as the artistic vision of shaping and mastering the sound come thru. already playing on heavy rotation in berlins clubs by local djs who got whitelabels or cdrs, this 12inch will once more become a classic to people who dont look for hype or trendy fashion but lasting sound quality.

with >manipulation< johnny d creates an atmosphere of a special kind. a slowly growing track that grooves endlessly from beginning to end. >gualia< is much straighter, a pushing tune with marching percussion und a rocking bassline. >since the last time< remixed by nekes follows the path of those morning hours filled with happiness, which completes the second olso release. deep, jazzy house tasting like summer.

representing tokyo-techno-scene, >co-fusion< (dj wada & heigo tani (wall five), their 2nd ep of their new project series is coming up again. as the latest work of 1911 ep, this is their day of todays work which they have assimilate as their career that they have been quite long time period in japan. the quality of sound is extreme elements to get deeply... >devgru< on side-a comes with funky sub-bass through to the end, tech house beat flows the track offer you if you like radio slave and claude vonstroke. >rink< on side-b as a stark contrast, comes with cut-up style of minimal taste, the elements of sampling subtle track. on the other side, sounds experimental throughout the track as clink or vakant

dj support by karotte & laurent garnier !! on the >dog side< pecklar & brauns have created a 15 minute epic - a collision of post-minimal neo-trance - that rides a wave of emotion from beginning to end. the salvation is a piece of music that lifts you up

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digitalism present their long awaited debut album incl. all the big hits. sure-shot ! there are loads of rock bands making music for the dancefloor. digitalism make electronic music that everyone can rock to. heres the first album from digitalism presented in a luxurious gatefold dlp !! for the past two years, they have been the go-to men for indie remixes, having reworked the klaxons, the test icicles, cut copy and the futureheads, to devastating effect. digitalism hail from hamburg. isi, the german born son of turkish immigrants, met jens, the child of a liberal family, at the citys underground solution record store. moelle was the first find employment there, towards the end of the 1990s. when he took leave from the shop to devote more time to his school work, isi filled. later jens returned, and the pair worked alongside each other: jens in the shop, and isi at the attendant record distribution business. they soon bonded over their shared love of dance and rock records.

a slightly steppy intro will get the crowd going. but when that bass drops you d better be holding on to something (or someone). this is minimal understated breaks at its best, stripped down beats and rolling bass complemented by hi end riffs and a little bit of pad to add warmth. anti science comes up with a remix that toughens, embellishes and shines an already dazzling gem into a thing of rare beauty and bass

tannen consists of stel, the man behind all things group therapy, and vangelis otherwise known as phatjack. stel’s discography so far has seen him produce original work and remixes for some of the hottest and most popular labels in the industry such as audiotherapy, bedrock, saw, armada, baroque, swift, oxyd and global underground. phatjack have released on labels such as nascent, baroque, deep, sog and extrema. we were confident that their production together would be tasty stuff! nick warren (head of a&r) agreed and used blackout to end his latest global underground compilation, which reached the top twenty uk compilation charts

"dust science returns with fresh blood for 2007 on the faith is fear ep. weve been fans of fabrice lig for years her at dust. hes released an avalanche of great techno on classic labels such as kms, 7th city, fcomm and playhouse and hes done us produ with his first release for us. "access denied" is a surging, swinging, darkside monster thats relentlessly tricky and funky. the detroit pads are seriously tripped out and swamped in glitchy beats and stepping hi-hats, and theres some serious low end; its a hell of a track. regis and female are responsible for some of the best uk techno ever made. here they contribute c/chaos; performed live at the orbit in leeds, its simply massive, propelled by downward twisting strings and utterly slamming, intoxicating electronic rhythms. techno luminaries the 65d mavericks are renowned for their driving but innovative techno. "wiretap" is well up to their high standards."

unique version of detroit minimal !! old sensibilities are used to guide basic progression along a path of tweaks and burps. ticks, clicks and melody are used to hold together the shifting center of a busy bop. soulfully simple synths combine with warm bass lines, and churn their way toward a shared end

after >isotope< and >the afterlife< - both played by all the major jocks in the scene - >life soundtrack< is the third single from deetrons debut album twisted, released end of last year on music man. on mm 133r we can find a remix by two of the most white hot producers of the moment, redshape (present, styrax leaves, delsin, mm) and rejected (aka joris voorn).

adam mitchell aka adam x with classical techno tracks from 1998

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l delay is all about the drama—but at the same time, its skipping hi-hats and ringing bells suggest a carefree spirit and a supreme lightness of touch. talk about a duality: a cloak of reverb sucks the track perennially towards the dark side, but from the gleeful syncopations to the cheekily sampled live instruments, everything else opens up to the light like a morning yoga position. there s no funny business here, just tight rhythms and emphatic phrases that command bodies to move. its a monster of a track, but it must be of the loch ness variety, because youll never see it coming. on the flip, >frost< —haunted by the same high, lonesome string note as >l delay<— might be even more energetic, if that s possible. the high end has been smoothed down, and some of the roughhewn chicago edge of its companion tune sanded smooth, but its crazily syncopated standup bass line and distant, answering keyboards is all muscle, tensed and ready to explode. spacious drum tracks clear the floor for flashes of tambourine and handclaps so dry you can taste the salt on em. again, no nonsense is the name of the game: just raw, unadulterated funk with an ear for playful rhythms and limber moves

since 2000, d julz produced and released his tracks on labels such as dessous, ovum, brique rouge, se rial, 20/20 vision, paper, music for freaks and end recordings, and we are happy to present his latest tracks on poker flat. >runny< is a great euphonious, techy and percussive track around an alienated violin sound. the remix has been contributed by dan berkson and james what, who released already their >cantina< ep (pfr77) on poker flat. their mix comes in the typical berkson and what sound with warmer keyboard sounds and a groovy bassline. >sign< on b2 is a deep, but pushing tech-house tune with a great build-up. super-cool ep!

1 x klinkestecker 6.3mm - 2 x cinchstecker 3.5mm. zomo audio kabel sind von höchster qualität mit hervorragenden klangeigenschaften. ein hoher kabelquerschnitt, vergoldete high quality verbindungen und beste rohmaterialien sorgen für originaltreue und geringen widerstand. zomo audio kabel sind die ideale egänzung für ihr wertvolles euqipemnt und eignen sich auch bestens für high-end digitalsysteme.

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winkelstecker ideal bei platznot . 2 x 3.5 mm cinch - 2 x 3.5 mm cinch-winkelstecker 3m, zomo audio kabel sind von höchster qualität mit hervorragenden klangeigenschaften. ein hoher kabelquerschnitt, vergoldete high quality verbindungen und beste rohmaterialien sorgen für originaltreue und geringen widerstand. zomo audio kabel sind die ideale egänzung für ihr wertvolles euqipemnt und eignen sich auch bestens für high-end digitalsysteme.

incl. motorcitysoul mix, support by laurent garnier, sven väth, chloe, x-press 2... following hot on the heels of danton eeproms twisted anthem >one thing leads to another< (still big with damian lazarus, radioslave, ivan smagghe & locodice) comes more sublime deepness with the first part of david ks >three arches< ep. david k has had quite a year so far with the huge >boul de nerf< (freak n chic) and >mayann< (cocoon). the original of >incoming< is a unique and essential track for all fans of deep electronic house music. for the remix motorcitysoul deliver a stunner, adding a heavier bottom end and their own melancholy melody that joins the dots between classic chicago trax, deep house and techno.

nice and chunky, keep up doing what you do so wellintroducing deadset: an act that crafts house music in some of its many disguises. the two man team used to do a lot of that, and a little bit of this. before deadset1 and deadset2 came into being, they played in the sandpit with the likes of muse, miss kittin, royksopp, tiefschwarz, justin timberlake, scissor sisters and with labels such as fine, blue fin, souvenir, made to play, wall of sound and tsuba. now they do a lot of this and only a little bit of that. disregarding this, that and the other, their tipping point has arrived… they have also been allowed to play around at the likes of weekend (berlin), panoramabar (berlin), fabric (london), the end (london) and countless other joints. lovingly nurtured, their forthcoming album, keys open doors, is about to be released into the wild from the arms of jesse rose and his front room label. music for now, with an eye on tomorrow, made with sounds of then. deadset 1 is tom mangan. deadset 2 is cass. cass + mangan is dead. long live deadset

after productions with sven väth and dj hell, anthony rother continues the tradition of mutual sound enrichment in an ingenious way, including the current publication for the sublabel datapunk limited. this time, no less than xenia beliayeva is involved, up to now the only female producer on datapunk thanks to her highly acclaimed >ultra glamour ep< of last summer. the 26-year-old muscovite by birth has regularly worked as a disk jockey already since 1996 and is considered as one of the hottest german dj insider tips since her support gig for kraftwerk at the zkm opening in karlsruhe. a part from brilliant breaks, xenias remix of rothers retreaded super space model hit >dont worry< is mainly characterised by the interplay of beliayevas and rothers voices, >love s gonna change your life for good<, who would have ever dared to doubt about that. with the flipside, rother once again did a solo revision of >roses<, available up to now exclusively on the cd version of the album >super space model<, and created a highly dynamic synthesis of classical datapunk sound and sporadically interspersed reminiscences of the romantic synthpop of the past century

chymera, originally from ireland and temporarily based in costa rica, has been making various forms of techno, electro and electronica since 2002. he has had several low key releases in ireland to local support. in june 2006 he remixed titaniums paloozah on austrian label titanium which marked his first international release. in september 2006 the descent ep was released on an affiliate label, supreme entertainment, which was subsequently charted by carl cox at number 1. xcela from that ep was also featured in funk d voids year end top 10. also in september, a side project under the alias i am an exit was released on esteemed uk house label urban torque. the numbling ep drew great acclaim and comparisons to mathew jonson, carl craig and new order. january 2007 saw the release of midnight at the aquarium on french label mezzotinto. this received major support from the likes of laurent garnier, chris udoh, james talk, spiritcatcher and many others. upcoming in early 2007 is an ep on barcelona label tishomingo and also one on josh winks label ovum. chymeras mix of deep and melodic techno is already beginning to cause a stir on dancefloors around the world and its only the start.

after several side-projects as sid lerock and gringo grinder, pan/tone is now back with >dr. pyckle and mr. pryde<. >the tear jerker< is one of these elegiac anthems, building up more and more in a way you never want it to end. the flip resurrects the momories of the good old school of cologne - back then, when minimal was still pristine, and the groove as the fundamental element was still wirth something. as a bonus there s a remix by kimberly & clark, accentuating the track with some bleepy bliss, and loads of 808

concept lp featuring seven rome-based producers and styles ranging from electro to acid techno to ebm and nu disco, all glued by the rough sound of analogue synthesizers and drum machines. the title is the translation of monte dei cocci, an ancient man-made hill formed by crockery, mostly fragments of amphoras,

minimal electro flavoured atmospheric house grooves

the fourth release from tiefschwarzs souvenir imprint comes from tom mangan with >mysterious ex-teacher / texas<. as one half of cass and mangan, tom mangan has released on fine records, tsuba, saw, wall of sound, loaded, front room and playtime and has remixed the likes of the scissor sisters, infadels, royksopp, daisy daisy and tiefschwarz. >mysterious ex-teacher< is eight minutes of dreamy synths floating on heavy stabs of dubby-electronic bass and >texas< is a smooth ride that fuses a disconnected spacey top-end with a simple forward-pushing b-line

rhythmetic is back with the 7th shot, this time a compilation round wich features 4 damn great tracks, tom clark with jens bond produced the opener, straight to da point tech-house tune, dark and crispy sound effects, pretty cool & clever staged samples and a keen sense of dancable basskicks and drum works…..the next one is aldo cadiz and he is presenting a grandiose peak time anthem….beamy basskicks and cool analogue lines will push the crowd to the max…actual horsepower. the first one on the flip is a tune by jobim’s cousin aka argy …oriantal styled and smooth song, recommend for early morning hours.last shot produced by diffuse……mystic and dark hypnotic - rounder, alarming sound scapes meet old-ravey sound structures…altogether and pretty good new release with four different tracks

brett longman comes with a minimal electro techhouse track which is very intelligent and little bit euphoric to the end. the detroit grand pubhas turn it into a very melodic detroit masterpiece !!

pokerflat welcomes aril brikha with a dose of hi-end melodic detroit deep techno soul !!

german-techno dream team oliver koletzki and florian meindl with a new ep on their collective label flash recordings. >kolibri< is a deeply grooving piece of dreamy minimal electro with melodic and mesmerizing stabs and many trippy effects. on the b-side the humorous title >grandmothers flash< is sure to set the dance floor on fire with its fidgety loop, a typically raving synthie and a murderously deep sub bass. koletzki and meindl stay amused and allow themselves a joke towards the end of the track referencing the 2005 hit mückenschwarm. also on the flip, florian meindl’s >paris< has a thriving organic bassline, some great arpeggios, freaked out melodies and a very strong loop with many hi-hats. supported by chloe, karotte and oxia

schöner die flächen nie klingen, die glocken nie schlagen ! nobler techno mit geist und seele

>back on the road< ist country-techno oder die gerade version von tom waits. spärliche abgefuckte vocals treffen modernen minimal der bruno pronsato Ära !! incl remix von philippe quenum (cadenza, soma, num)

a limited advance copy selected from the forthcoming twelve-track cd compilation presents the west end of the japanese underground house scene, three local cities kyoto, osaka, kobe!! daniel wang gets his move and provides here the exclusive new song with his devotion to japan (kyoto). its a brand new material just after his quite long absence in the scene!!

the end of the experimental edged sound variation series and the start of bringing back the old school feel with this great rollin deep techhouse three tracker

eva records is proud to present the first productions of maximilian skiba on a french label !!! after very noticed debuts at the end of 2005 on the german label boxer recording, he offers us here >transphormer< and >bye bye c64<, two electro-disco tracks melodious as one pleases. >transphormer< is remixed by the boss of the label personally ! sydney roy so proposes a second reading of the original in a monstrously effective electro style

this is the first release on jojos own mythic records label and if its anything to go by, this label is gonna make some serious waves. both tracks, saturn returns and pop the reverie feature her trademark thumping beats and low end bass that feature so much in her skills as a dj.

bastian heerhorst and patrick meissner from hamburg, first met each other in the end of the 90s by their common love for graffiti. inspired by the hamburg night live, they decided very soon to work creatively together, also for their music productions. because of bastians long time experience in electronic music and the revolutionary development of the virtual instruments, the two guys were fast able to obtain quite dancable results, also with a small budget. begun with the rather modest possibilities of a 4-tracker on the amiga and the first live-acts with a groovebox, bastians liking to produce and to experiment with all possible styles grew. since also patrick came in contact with electronic music in hamburg s scene already early, it was somehow predetermined that in the future not only walls, but also dancefloors gonna be rocked. the project >heerhorst & meissner< was born and with kompass musik a label was found, which was courageous enough to publish the first tracks of duo…

brill dark hittin old school techno

here comes the successful follow up to the great tube-tech clubhits >the end< and >riders on the storm<. walk in line comes in cooperation with technomaster the advent and electric wildness in the mix of sascha krohn !!